After the scintillating highs and surprises of its second season, "Boardwalk Empire" returns following a passage of time, which can always be a trifle unsettling.
Harmless, but about as inspiring as any forgotten sitcom from the Reagan Era.
NBC's most promising new half-hour, "The New Normal" exhibits some of the excesses audiences have come to expect from "Glee" and "Nip/Tuck" creator Ryan Murphy, but also contains heart and a message.
This four-hour acquisition -- adapted from Michael Faber's novel -- is sumptuously filmed and intriguingly offbeat, yet ultimately fails to deliver a payoff worthy of its come-on.
A show devoted to a seemingly promising topic -- young Amish who choose to break with their faith and explore life in New York -- that hits all the expected notes too hard, in the most obvious ways.
DreamWorks has been extremely savvy about keeping its animated movie franchises alive via television, including series versions of "Madagascar" and Kung Fu Panda" for Nickelodeon.
Despite a solid production pedigree and capable if underutilized cast, translated into medical terms, "Coma" strictly receives HMO-quality treatment.
Nothing says Lifetime like a made-for-TV movie based on a true story of a woman in peril.
Representing the latest U.S. adaptation of a British series (and MTV's second, on the heels of "Skins"), coming-of-age comedy "The Inbetweeners" has, for once, clearly gained something in translation.
'This isn't your ordinary music competition,' host Allison Hagendorf says. But that's exactly what this CW summer fill-in is.