Review: ‘Afterlife’


Peter Davison's symmetrical, white stone set, with low, stagewide stairs giving way to arches topped with classical pediments is a grand utterance in keeping with the tone of "Afterlife." But for all…

Review: ‘Capriccio’


For some opera-goers, Richard Strauss' final work for the stage, "Capriccio," is as bubbly and refreshing as the flute of champagne the resplendent Renee Fleming downs at the end of the evening at…

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