Review: ‘Clit Notes’


The name Holly Hughes often connotes controversy. But this much-maligned performance artist is, surprisingly, a mild-mannered monologuist -- the most shocking aspect of her latest work, an amusing…


Review: ‘Here’


If there's a lesson to be learned from "Here," the new play by Michael Frayn, it's to beware of plays featuring lengthy debates about the word "inauthentic"-- especially when one character applies…

Review: ‘Ondine’


The myth-based plays of Jean Giraudoux surely rank among the most difficult works a theater troupe can tackle. This fragile material must be presented with the utmost earnestness, but with a…

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