For several years running, the Bay Area's most exciting theatrical terrain has been that of solo performance -- highlighted by the ever-expanding Solo Mio Festival, and by such rising talents as Anna…
The last new show of the Broadway season is also the worst. In fact, it isn't stretching things to say that "The Best Little Whorehouse Goes Public" is the crummiest junk to litter the district since…
Passion" is a great, great show. Not just because Stephen Sondheim has finally approved the notion of love as more than a conjugating verb, though that is certainly the show's chief revelation.
Fred Graham/Laura Kenyon's no-nonsense Hattie gets the Goodspeed Opera House revival of Cole Porter's 1948 "Kiss Me, Kate" off to a buoyant start with a joyfully vigorous "Another Op'nin', Another…
If "Sally Marr ... and Her Escorts" enjoys any extended life at the box office -- and, who knows, stranger things have happened -- the reason will not be Sally Marr, whose sad, rowdy life has been…
Dan Butler's one-man play about gay life is sharp and compelling, cleanly slicing to the heart of his characters without excessive sentiment or melodrama.
There are fine performances by Mark Smith and the ensemble cast, as well as several poignant emotional moments, but the music, lyrics and book by Mark Savage are undistinguished in this generally…
David Wilcox's boyish sensitivity appeals to the coffeehouse crowd who immerse themselves in his clever, poetic lyrics.
Reviewed April 30, 1994; ran through May 1.
A Poster of the Cosmos