Leonard Bernstein never seemed completely satisfied with "Candide," which he hoped would be the great American opera. After its first New York production in 1956, he collaborated on seven other…
In certain ways, "The Manchurian Candidate's" transition to stage is more impressive than "Sunset Boulevard's." Both are competing with memorable film versions, with seared-in-memory…
Anna Mary Robertson
"I'm fucking alienated," proclaims the closest thing to a hero in "subUrbia," Eric Bogosian's foray into twentysomething angst. Even ignoring the jarring fact that truly alienated 20-year-olds…
For several years running, the Bay Area's most exciting theatrical terrain has been that of solo performance -- highlighted by the ever-expanding Solo Mio Festival, and by such rising talents as Anna…
The draw for this revival of the fifth-longest-running show in Broadway history is Rosie O'Donnell, and perhaps it's fitting that an actress about to open on the big screen as Betty Rubble in "The…
Reviewed May 12, 1994.
The last new show of the Broadway season is also the worst. In fact, it isn't stretching things to say that "The Best Little Whorehouse Goes Public" is the crummiest junk to litter the district since…
Passion" is a great, great show. Not just because Stephen Sondheim has finally approved the notion of love as more than a conjugating verb, though that is certainly the show's chief revelation.
Fred Graham/Laura Kenyon's no-nonsense Hattie gets the Goodspeed Opera House revival of Cole Porter's 1948 "Kiss Me, Kate" off to a buoyant start with a joyfully vigorous "Another Op'nin', Another…