Legit

Goodspeed taps Rhys

By

Will Rhys, a former artistic director of the National Theater of the Deaf and of the Cleveland Play House, has been appointed to the newly expanded position of Goodspeed Musicals' education director…

Data

Domestic Film DAILY

PROVIDED BY: Box Office

  1. 1

    The Equalizer

    Daily Gross:$3.6M

    Cume to09.30.14: $40.7M

    The Equalizer

    1
    Daily:$3.6M Cumulative:$40.7M Sony / Columbia 22.26%
  2. 2

    The Maze Runner

    Daily Gross:$1.3M

    Cume to09.30.14: $60.2M

    The Maze Runner

    2
    Daily:$1.3M Cumulative:$60.2M Fox 29.30%
  3. 3

    The Boxtrolls

    Daily Gross:$862,914

    Cume to09.30.14: $18.9M

    The Boxtrolls

    3
    Daily:$862,914 Cumulative:$18.9M Focus 17.65%

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Data provided by:

Marketplace

New Chi venue bows

By

After nearly five years of construction delays and numerous false starts, the new Chicago Center for the Performing Arts finally looks set to open, easing the squeeze on Windy City spaces available…

Review: 'Aliwa'

By

Company B Belvoir artistic director Neil Armfield's reworking of Dallas Winmar's script based on the recollections of Australian aboriginal elder Dot Collard is a disappointment.

Review: 'Sad Hotel'

By

A hitherto unseen play by Tennessee Williams opened the White Barn's 2001 season, and now the late Lucille Lortel's country playhouse is presenting a play about the celebrated Southern author. The…

Review: 'The Car Man'

By

Matthew Bourne's latest piece, which begins its first U.S. tour at St. Paul's Ordway Center, is a mishmash by design, with allusions to Martha Graham, Groucho Marx, ballet, William Inge, "Grease,"…

Review: 'Humble Boy'

By

A palpable buzz fills the auditorium at the start of Charlotte Jones' "Humble Boy," and that's well before audiences discover that its central figure -- a panicky, stutter-prone astrophysicist named…

  1. 1
  2. 2,048
  3. 2,049
  4. 2,050
  5. 2,051
  6. 2,052
  7. 2,626