Review: ‘Hearts’


Never less than highly competent and with its heart clearly involved, the play seldom delves below its briskly efficient surface and doesn't always avoid sentimentality and audience manipulation.

Review: ‘Cheval’


Gilles Ste-Croix is not a household name, but in many ways he's to le cirque what Andrew Lloyd Webber was to the Broadway musical in the 1980s -- he's always got a few shows going somewhere.

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