"Waiting for Tadashi," the provocative, troubling new play by Velina Hasu Houston, depicts a half-century search for identity by an orphaned Asian-American, following its protag from Tokyo in the…
The Melbourne Theater Co.'s 2002 curtain-raiser, commissioned by artistic director Simon Phillips for local stage diva Caroline O'Connor, is a very entertaining work-in-progress.
Lest anyone thought the Irish had lost the gift of the gab, along comes "Bedbound," a hit on the Dublin and Edinburgh Festival circuit that has taken up garrulous residence at the Royal Court's…
The state of grace ostensibly enjoyed by childhood seems like a decidedly grim place, at least if the young adults in Peter Morris' "The Age of Consent" are any gauge. Morris' intertwining monologues…
Revivals are clearly the rage at the Laurence Olivier Awards, with familiar titles dominating the nominations for London legit in 2001.
DLP Cinema, the digital-cinema unit of Texas Instruments, has signed on as a corporate sponsor of ShoWest 2002, organizers said Wednesday.
Army Archerd: Just for Variety
With its peculiar punctuation, clotted paragraphs that go on for pages and circular web of small, surreal incidents leading nowhere, Franz Kafka's "The Castle" may well be among the most unreadable…
Kevin Elyot's 1994 dramedy "My Night With Reg" won the Olivier Award and became an international hit, but the writer has had, at best, mixed success since. His follow-up to "My Night With Reg" was…
It's been almost a decade since an L.A. theater has produced a new play by John Steppling, once a prominent dramatic voice in the city where he grew up. The author has actually left California, and…
Salaries on select Broadway shows may go up a notch if one union gets its way. On Jan. 22, Actors' Equity begins negotiations for a new LORT (League of Resident Theaters) contract; the old one…