Review: 'Romance'


The rat-a-tat dialogue and all-male volleyball match of hurled profanities might be familiar, but nearly everything else in "Romance" is atypical of David Mamet. Mamet concocts a manic and mannered…

Review: 'Altar Boyz'


Bummed that the Backstreet Boys are no more? Feeling sunk that 'N Sync came 'nstuck? Taken ill since Take That took their leave? Then give thanks to the Lord because the "Altar Boyz" are here, saving…


Review: 'After Ashley'


Susan Smith Blackburn Prize winner Gina Gionfriddo's "After Ashley" arrives in New York with considerable cachet after its lauded premiere at last year's Humana Festival of New American Plays. While…

Actors' Fund fetes thesp


The Actors' Fund of America will laud Stockard Channing with the Julie Harris Award for Lifetime Achievement at its eighth annual Tony Awards party June 5 at the Skirball Center in Los Angeles.

Review: 'Pentecost'


David Edgar's overwritten and overwrought antiwar drama "Pentecost" is one holy mess. But that's no matter: The ensembler is made to order for a resident company like the Barrow Group to open its new…

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