This extraordinary performance confirms Punchdrunk's reputation as one of the most exciting and boundary-breaking ensembles in contemporary theater.
What if Christy Mahon, that great outsider of Irish dramatic literature, were black?
Columbus Day weekend discovered new coin on the Rialto, with total Broadway grosses up $1.7 million to just over $16 million for 25 shows on the boards.
The Sundance Institute and New York's Public Theater are teaming up for a new legit developmental residency in Gotham, kicking off this fall at the Public.
Laura Eason's adaptation of Elizabeth Crane's short story collection, "When the Messenger Is Hot," initially seems an over-familiar misfire but then redeems itself in its later stages.
If you enjoy spectacle dressed up by acrobats as hammy slapstick, you'll probably have fun at "Jump."
British actor Rodney Diak, who starred in a number of long-running West End hits, died of cancer Oct. 6 in London. He was 83.
Under the inventive staging of helmer Damaso Rodriguez, a talented and dedicated eight-member Furious Theater Company ensemble turns Jones' creative vision into a compelling and noteworthy legiter.
As faux bands go, "Queen: It's A Kinda Magic" exhibits flawless musicianship and vocal dexterity, offering note-for-note reproductions of Queen's ingenious tunes and flamboyant onstage machinations.
With 20 songs and an onstage klezmer band -- tuba, accordion and all -- you'd expect this musical to be, well, musical.
With "S-E-X" spelled out in 3-foot-high lights at the side of the stage of the fabulously funky Zipper Factory, there's no need to wonder what "The Sensuous Woman" is about.