A pre-adolescent receives "Blood Sport"-style training from his own sicko dad in "Un monde a nous," a conceptually awkward but skillfully realized thriller from Frederic Balekdjian ("Gamblers").
If the devil is in the details, then Stanley Kubrick had a fruitful pact with Mephistopheles, judging by "Stanley Kubrick's Boxes."
"Dog in a Sidecar," Kichitaro Negishi's subtly nuanced, strikingly thesped summer's tale about a little girl whose horizons are expanded by her encounter with a free-spirited young woman, unfolds in…
Taking as its theme the enmity between two groups of soccer fans, "Rivals" is a disappointing comedy from a helmer, Fernando Colomo, whose best work once helped define a Spanish generation.
A city official tries to literally take the bull by the horns in rural Indian comedy "The Wild Bull," a broadly played ensembler by debuting helmer Umesh Vinayak Kulkarni.
Before it goes pudgy with a phony feel-good ending, "Rigged" is a lean and mean saga in the mold of the B programmers of studio yore.
Two generations of children cope with life, death and their overbearing Jewish parents in "Cycles," a tightly scripted but loosely helmed family saga by first timer Cyril Gelblat.
Small things matter in "Under the Snow," an involving micro-budgeter in which four put-upon protags find their own way of briefly beating the system.
A pared-down love story set in a mixed prison across 40 years, "Crossing Over" ultimately doesn't succeed as a whole but shows the same impressive visual precision and metaphysical bent that marked…
The last six months in the life of a drug addict of 30 years make for harrowing viewing in Spanish docu "Today the Same Day Is Different." Smoking ganja with his oxygen mask still on, protag Toni…
Domestic Film DAILY
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