A starkly enigmatic feature about two children's determination to rely on no one but themselves.
"Morente" is a flawed swan song.
Billed as the first Israeli slasher film, "Rabies" wields a tart wit, several innovative twists on genre conventions and a heaping helping of bloody mayhem.
A Gallic "Airplane!" without the exclamation point, "Low Cost" is too low-key to scale the heights of that classic of silliness.
Astounding wildlife footage is given a kid-friendly narrative hook, but never overly cuddlified, in Keith Scholey's "African Cats," the third installment in the Mouse House's Disneynature series.
Auds get an eyeful of flesh, served with sadistic, spasmodic laughs, in "3D Sex and Zen: Extreme Ecstasy," an attempt to revive the 1990s Hong Kong softcore-comedy franchise.
There are only so many yuks Nanni Moretti can milk from the sight of old men in clerical robes, and the film's toothlessness makes it unlikely for arthouse crowds to anoint a work that shouldn't…
Handsomely photographed tale is predictably filled with mesmerizingly barren landscapes, long silent stretches and short moments of grace.
A philosophy-teaching femme nearing 50 re-enters the dating scene in the Internet age in the gently comic "E-Love."
Kenneth Branagh invests this comicbook epic with a weighty yet never overbearing Shakespearean dimension.
The appealing but paper-thin premise of "Footprints" rides on unraveling the identity of a female amnesiac found collapsed on the celeb-marked entryway of Grauman's Chinese Theater.