Pic intercuts the stories of three generations of women who live in the same cottage in the Finnish countryside, to tedious effect.
"Payback" is a rarefied conceptual docu that will appeal to a limited but highly appreciative audience.
"The Orheim Company" is a strongly etched if overly familiar coming-of-ager.
As "The Last Waltz" was for the Band and aging hippies, "Shut Up and Play the Hits" is for kids who were in high school on 9/11.
A dysfunctional telecom business in a small northern town provides the setting for "The Office"-like comedy in "Flicker."
A gentle giant with learning difficulties and his exploitative best friend negotiate challenges in "Best Laid Plans."
Pic gets in the face of deficit hawks and budget cutters with the argument that the U.S. is a paradise for corporate tax cheats.
An investigation of Paul Simon's 25-year-old "Graceland" album as much as a celebration of it, "Under African Skies" is appreciably smarter than most celebrity musician docus.
Like a four-part panel of images with tenuous connections, Weston Currie's "The Perception of Moving Targets" is a personal art film whose meaning, as the title suggests, is in the eye of the…
Lithuania shoots and scores in "The Other Dream Team," an uplifting docu from longtime producer and first-time director Marius Markevicius about the nation's unique love affair with basketball.
Scoring sufficient small laughs to entertain, lighthearted Oz romp "Any Questions for Ben?" flirts with romantic comedy and urban sophistication but lacks commitment.