"Stage Left" posits the San Francisco Bay Area as a particularly rich breeding ground for the artistically and politically progressive in post-WWII American theater.
Like a magician performing one too many tricks, "The Double" overplays its deception while spinning a mildly diverting yarn about a vet CIA spook and the younger FBI agent working alongside him.
After winning some acclaim for his 2007 bigscreen debut "Darling," writer-director Johan Kling experiences a sophomore slump with "Trust Me."
Though myriad aspects of its story have already been probed in greater depth elsewhere, Frances Causey and Donald Goldmacher's "Heist" is well timed as a one-stop summary of reasons for ordinary…
The kind of bottom-feeding yuckfest where a character's slip in dog poo within the first minutes sets the tenor for the next 90 or so.
An ambitious Brit indie that doesn't quite meet the expectations it raises, "Eliminate: Archie Cookson" starts as a droll sad-sack spin on spy spoofery, but by the end has shifted from comedy toward…
"The Butcher's Wife" is a respectable but dramatically unrewarding debut for writer-director Gao Xiongjie, a veteran teacher of film and television arts at China's Central Academy of Drama.
Jason Cohn and Bill Jersey's sprightly documentary weighs its subjects' unique accomplishments and widespread influence while probing a relationship more complex than its sunny public face indicated.
A low-budget feature concerning America's underground sex-slave industry, "Cargo" necessarily walks a fine line between exploitation and social expose.
A flabby, unfunny action-comedy produced, directed and written by former WWE exec VP Mike Pavone, "The Reunion" boasts one of the most poorly assembled scripts to emerge from the wrestling franchise…
Good intentions and some effective elements are ultimately outweighed by an overloaded miserabilist narrative agenda in "Between 2 Fires," the first fiction feature from documentarian Agnieszka…