Martin Scorsese is thanked in the opening credits of "Bombay Velvet," but that's far from the last time this splashy Bollywood gangster spectacular pays its respects.
"Air" is confidently executed, but neither its middling plot twists or ditto atmospherics ratchet up as much tension as Edo Van Breeman's score tries to evoke.
A trash-talking French granny gradually warms to the world, thanks to the mellowing effects of marijuana in "Paulette."
It's a hard-knock life for the urchins of Hardwick House Orphanage — and no spring picnic for the rest of us, either — in "Molly Moon and the Incredible Book of Hypnotism,” a chintzy children's…
An acclaimed filmmaker is the object of diffident female attention from multiple sources, leading to an innocuous array of misunderstandings and romantic missteps.
While strolling through the woods, a self-questioning law student chances upon a sparrow dangling by a string and, obsessed with its significance, begins an inquiry into the interrelatedness of…
Little Miss Sunshine goes the way of La Femme Nikita in "Final Girl," a mildly intriguing thriller of comeuppance that leaves you wanting more — not more archly stylized violence or repetitive…
Though true-crime character study "Jack" has the nerve to call notorious Austrian killer-turned-literary-sensation Jack Unterweger by his first name, writer-director Elisabeth Scharang never lets…
In "Dragon Ball Z: Resurrection F," the latest feature in the long-running anime franchise, the runty sycophant Sorbet revives the shredded super-villain Frieza, with a little help from the magical…
Pic's main problem is that [Bosworth] lacks the villainous authority required to make Mike Le and Amy Kolquist's tricky if undercooked screenplay work.
Manhood-measuring contests — in every imaginable sense of the phrase — are taken to brazenly literal extremes in "Chevalier," the long-awaited third feature from Greek multi-tasker Athina Rachel…