"Dior and I" follows Raf Simons as he launches his first haute couture collection for Christian Dior, proving that the art of design, like all art, is more about vision than price-tag.
"Sunday Ball" ennobles its subjects without losing any of the excitement of the game: a painterly sense of composition is paired with Renato Vallone's first-rate editing, accompanied by delightfully…
"Iraqi Odyssey" charts the vicissitudes of Iraq's troubled history via one clan's personal take on the last century, and while the 3D feels superfluous, the docu offers a multi-dimensional look at a…
This is the way "The Hobbit" ends: not with a whimper, but with an epic battle royale.
Impeccable craftsmanship and sober restraint have been brought to bear on "Unbroken," Angelina Jolie's handsomely wrought but cumulatively underwhelming portrait of Louis Zamperini.
With the invaluable assistance of graceful camera work, strong performances and impeccable production and costume design, helmer Keisuke Toyoshima invokes the atmosphere of classical erotic arthouse…
Only the tragically absurd Israeli-Palestinian situation could transform the simple act of milking cows into a perceived threat to national security, yet that's the amazing story of Paul Cowan and…
Snappy editing draws a punchy parallels between the Rainbow Wahine's emergence as a team to be reckoned with and the miracles Thompson performed with a pitifully low budget while forced to operate…
"It's not even that good a story," Moses grumbles early on in Ridley Scott's "Exodus: Gods and Kings," shortly after learning of the mysterious events that transformed a lowly Hebrew slave into a…
If ever a film had no need for an in-title assertion of its fact-based nature, it's British war pic "Kajaki: The True Story": Few screenwriters would devise a battlefield scenario quite this spare…