Imagine Paul Verhoeven's "RoboCop" stripped of its politics, its wit, its humanity, and its craft, and that only gets halfway down the bottom of the barrel scraped by "Officer Downe," a…
An unwelcome ghost of Christmas past, this unpleasant sequel to 2003's irreverent comedy should have been called "Worse Santa."
A welcome return to form from 'The Sixth Sense' director M. Night Shyamalan, whose unhinged new mind-bender is a worthy extension of his early work.
Fun and engrossing, with enough tension and sex thrown in to satisfy most viewers, this handsomely packaged thriller is ripe for multi-national remakes.
Uninspired direction and an embarrassing recourse to national stereotypes in a bid for cheap laughs mars the few charms of Karen Di Porto's semi-autobiographical debut.
An impressive amount of footage is used to illustrate this cinematic evocation of Norman Lewis' memoir, yet the documentary has little sense of the rhythm needed to capture the book's power.
Life, as the introductory voiceover in "A Hundred Streets" informs us, ultimately amounts to little more than "long periods of waiting broken up by brief moments of change."
Just when you thought the world of Harry Potter couldn't get any darker, along comes a bleak-as-soot spinoff that makes the earlier series look like kids' stuff. Borrowing its title from one of the…
It's not easy to grow old gracefully in the entertainment business, and the chance to both explore and poke fun at that uncomfortable truth may have been exactly what drew Robert De Niro to "The…
Further evidence of the Aaron Sorkinization of American screenwriting, "Miss Sloane" is a talky, tense political thriller, full of verbal sparring and fiery monologues, undone by a really dumb ending.
As thrillers go, "Shut In" is conspicuously short of thrills. It's an undistinguished and predictable hodgepodge, so blandly generic as to suggest that it was cobbled together by filmmakers…
2016-2017 Oscar Predictions