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Review: ‘Ararat’

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Very far afield from the sort of chilly, intellectual low-budgeters on which Canadian helmer Atom Egoyan made his name, this ambitious, time-jumping mosaic has the odor of a lifetime of research and…

  • Film

Review: ‘Madame Sata’

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First feature director Karim Ainouz's vivid 1930s-set biopic recreates a key period in the life of a legendary gay streetfighter, criminal and killer, an uneducated black Brazilian descended from…

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