Noted dancer-choreographer Lahcen Zinoun makes an attractive helming debut with "The Lost Beauty," a period piece with a "1,001 nights" feel.
Striving for a "Romeo and Juliet" feel with a reincarnation twist, "I.D." gets hijacked by its knee-jerk anti-Israeli overlay.
Marc Caro's throbbing, disturbing tale of two new arrivals on a putrid penal craft in a forsaken cosmos posits that in space, no one can hear your screaming symbolism.
As a comeback vehicle for onetime Bollywood diva Madhuri Dixit, "Aaja nachle" is only so-so fare, but as an undemanding slice of masala entertainment, it's more than worthy of the Yash Raj quality…
If feature filmmakers had dared to invent the inspiring story of "The Singing Revolution," they likely would be dissed by cynical critics as simplistic at best, schmaltzy at worst.
For its international debut in Sydney ahead of a Broadway bow in fall 2008, London hit "Billy Elliot the Musical" has undergone a slight but significant makeover, with softer Thatcher themes, lighter…
Nacho Vigalondo's feature debut shows that good cinematic time travelers can be done on a shoestring with the right script.
A naked man of few words and many muscles heaves himself out of subterranean muck and mire into an additional 95 minutes of mire and muck in "Eden Log."
Actor-producer Aamir Khan makes a bland helming debut with "Taare zameen par," whose handle, "Every Child Is Special" sums up its touchy-feely-ness.
"27 Dresses" is a pleasantly predictable romantic comedy that sees Katherine Heigl following "Knocked Up" with smooth moves at the wheel of her first starring vehicle.
Vet musicvid director Erick Ifergan's "Johnny 316" takes Oscar Wilde's "Salome" and transfers it to Hollywood Boulevard.