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Review: ‘Hairspray’

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Director-choreographer Adam Shankman's buoyant stage-to-screen translation of "Hairspray" may not equal the comic zest of its 1988 root source, John Waters' first and still-finest mainstream feature.

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Review: ‘Karger’

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Various setbacks lead toward a new beginning for the title character in "Karger," a low-key, working-class slice-of-lifer set in eastern Germany. Writer-director Elke Hauck's feature debut, which…

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