The Walt Disney is pondering its options for a return to Wall Street to raise another $400 to $500 million for film production. While the studio has successfully tapped the market in the past, some…
Director Robert Altman, whose “Ready to Wear (Pret-a-Porter)” opened Christmas Day, has been named winner of the American Cinema Editors’ filmmaker of the year award. Altman will receive his Golden…
Musical numbers:"Move,""There Are Happy Endings,""His Family Tree,""The Easy Life,""Abbe's Appearance,""Samson's Thoughts,""Pointy's Lament,""A Woman in Search of Happiness,""Napoleon's…
TriStar Pictures has acquired the movie and interactive rights to Alexander Besher’s “Rim: A Novel of Virtual Reality” for an undisclosed sum. The property is set up with Robin and Marsha Williams…
The glittering blend of disparate elements that made Paul Rudnick's Jeffrey an Off Broadway gem several seasons back doesn't throw off quite the same sparkle on the bigscreen. Onstage, the story of a…
A quirky comic study of the criminals-as-celebrities syndrome and a very individualized look at the Andy Warhol 15-minutes-of-fame phenomenon, Gus Van Sant's To Die For delivers continuous pinpricks…
An uncompromising depiction of the cult of sectarian violence that has in the past created civil war in Northern Ireland, Nothing Personal is a totally riveting drama rigorously directed by Thaddeus…
French Kiss is one of those travelogues where flipping through the pictures would be more fun than actually taking the trip.
The popular kid lit (and cable series) The Baby-sitters Club [from the book series by Ann M. Martin] comes to the bigscreen as a warm, cuddly and earnest tale of modern youth. Resembling one of…
The Confessional, the feature debut from Quebec theater whiz Robert Lepage, is exactly the sort of stunning, eye-popping visual and sonic treat that one would expect from this innovative stage helmer.
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