Film

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Review: ‘Sara’

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Though it's hard to imagine Henrik Ibsen's 19th-century feminist play "A Doll's House" transferred to contemporary Iran, vet filmmaker Dariush Mehrjui boldly takes on the challenge in "Sara." Lively…

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Review: ‘Wolf’

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"Wolf" is a decidedly upscale horror film, a tony werewolf movie in which a full roster of talents tries to mate with unavoidably hoary material. Offspring of this union is less ungainly than might…

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Review: ‘Boulevard’

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The only novelty of "Boulevard," an otherwise B-grade suspense thriller, written by actress Rae Dawn Chong and directed by Penelope Buitenhuis, is that it takes a distinctly female p.o.v. Focus on…

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Review: ‘Wild Reed’

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Following the disappointing family melodrama "Ma Saison preferee," which opened last year's Cannes festival, Andre Techine is back in top form with "Wild Reed," a poignantly touching coming-of-age…

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Review: ‘Barcelona’

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Four years after his distinctive debut feature, "Metropolitan," Whit Stillman has delivered a superior follow-up in "Barcelona." A verbal tale of two well-spoken young American men posted in the…

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Review: ‘Playmaker’

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An every-which-way script takes the heat out of "Playmaker," part erotic thriller, part psychodrama, part old-fashioned murder mystery that can't make up its mind which direction it's headed. Despite…

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