Master manipulator Stephen King, making his directoral debut from his own script, fails to create a convincing enough environment to make the kind of nonsense he's offering here believable or fun.
Fatherland is a major film from Ken Loach. He has created an ambiguous yet penetrating work about two opposing cultures and the way they both manipulate and control artistic expression, and about the…
Blake Edward's obsession with the slapstick comedy genre has produced some all-time comedy classics and some best-forgotten clinkers. A Fine Mess belongs in the latter category.
Spectacular scenery and an extraordinary high degree of production values can't conceal serious flaws in The Mission, Goldcrest's $23 million pic.
Tim Hunter's River's ed ge is an unusually downbeat and depressing youth pic.
An array of bizarre creatures and David Bowie can't save Labyrinth from being a crashing bore. Characters created by Jim Henson and his team become annoying rather than endearing.
Critters resemble oversize hairballs and roll like tumbleweeds when prodded into action, the perfect menace for this irritatingly insipid and lightweight film which unfolds with plodding…
Until conventional plot contrivances begin to spoil the fun, The Big Easy is a snappy, sassy battle of the sexes in the guise of a melodrama about police corruption.
First-time scriptwriters have written a nice mix of sap and sass for Peggy Sue's (Kathleen Turner) character, a melancholy mother of two facing divorce who gets all dolled up in her 1950s-style…
Film starts out with a fantastic sword-fighting scene in the garage of Madison Square Garden and then jumps to a medieval battle between the clans set in 16th-century Scotland.
This stylish romp combining World War I heroics and the currently in-vogue plot device of time travel has all the makings of a solid draw in countries where older audiences are familiar with the…