Film

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Review: ‘Hype!’

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Superb sound and image quality and a complex, intelligent perspective help make "Hype!" an engaging as well as thoughtful chronicle of the Seattle rock scene during its decade-long rise to worldwide…

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Review: ‘Big Bully’

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Rick Moranis and Tom Arnold pair up well as comic nemeses in "Big Bully," an OK concept that's executed decently, if without any real spark or invention. Word of mouth won't carry this middling…

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Review: ‘White Squall’

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Call it "Floating Poets Society," or perhaps "Dead Sailors Society," but this coming-of-age story, circa 1960, has much the same feel as that earlier release, with a group of teenage boys undergoing…

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Review: ‘The Louie Show’

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Taped in L.A. by Shukovsky English Entertainment. Executive producers, Diane English, Joel Shukovsky, Matt Goldman; co-producer, Don Foster; director, Assaad Kelada; writers-creators, Goldman, Louie…

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Review: ‘Freeway’

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"Freeway" is roadkill. The directorial debut of screenwriter Matthew Bright ("Gun Crazy") is a sophomoric and morally repellent mix of fractured fairy tale, juvenile social satire, bloody mayhem and…

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