Beau Bridges heads the uniformly excellent cast as a bored rich youth who buys a black ghetto apartment building and learns something about life.
Ned Kelly is basically an outback western in which director and coscripter Tony Richardson's simplicity becomes a pretension of its own. It is a film to which one applies the damning word…
Francois Truffaut carries on the adventures of one Antoine Doinel who saw light in Truffaut's first, The 400 Blows, at 13; then in a sketch in Love at Twenty; and as a young man of 22 in Stolen…
Country Dance is a confusing love triangle film, focusing on a woman and the two men in her life, one her husband and the other her brother.
An okay World War II melodrama [from a story by Robert Aldrich and Robert Sherman], featuring Michael Caine and Cliff Robertson as antagonists who come to respect each other in the course of…
A play by Spike Milligan and John Antrobus serves as an ideal springboard for an offbeat anti-war film by Richard Lester which, miraculously, manages to convey its grim message with humor.
With his fifth so-called 'moral tale', Eric Rohmer again deals in people who discuss, analyze, dissect and worry their actions (in this case around friendship, love and desire), but rarely indulge…
Catch 22 stumbles its way through distended burlesque, and contrived stylism to its ultimate root theme: antisocial nihilism.
Wanda is a wanderer, a loser somewhere in a heavily industrialized part of the US. Barbara Loden shows a calm, dispassionate feel for direction and an insight into the psyche of an inarticulate…
A zany, laugh-filled story of two modern NY kooks who find love at the end of trail of hilarious incidents.
Set in the mill area of Lancashire and its moors (though lacking most of the cliche Lancashire gags and mannerisms), this is the story [from the play by Bill Naughton] of a generation clash in a…