Made in Ohio on a subscription basis for a reported $250,000, this is a tender, tactful look at miscegenation that speaks in human rather than polemic terms.
There's not the least sign of staleness in this third sample of the Bond 007 formula. Some liberties have been taken with Ian Fleming's original novel but without diluting its flavor. The mood is set…
Sooner or later it was bound to happen - a film based on the celebrated onetime Hollywood scandal of the daughter of a film star stabbing to death her mother's paramour. Picture takes its cue in…
Harold Pinter adapted his own three-character play for the screen, but made little attempt to broaden the canvas and its stage origins are barely disguised.
Marnie is the character study of a thief and a liar, but what makes her tick remains clouded even after a climax reckoned to be shocking but somewhat missing its point.
Like most sequels Children of the Damn; Editor isn't nearly as good as its predecessor - Metro's 1960 Village of the Damn; Editor. What weakens this sequel is the fact that, unlike the original, it…
Bill S. Ballinger's scenario describes the latter phases of the homicidal career of a paranoid schizophrenic (Victor Buono) whose hatred of women has been motivated by a possessive mother who has…
This is a skillful and, on many counts, admirable picture. Bryan Forbes' writing and direction create an aptly clammy atmosphere and he's backed by some shrewd thesping.
Film is visually and physically stunning but its three tales [from stories by Lafcadio Hearn] of the supernatural are more intellectual than visceral.
The last gasp of the Southwestern tribe of Chiricahua Indians in opposing the encroaching white man is covered by the screenplay from an adaptation by Richard Fielder and Albert Beich of a novel by…
Any attempt to put this into the epic class falls down because of a hodge-podge of a storyline, a mixture of styles and insufficient development of characterization.