Film

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Review: 'Bad Company'

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Bad Company seemingly has no more noble ambition than to give audiences the interracial sex only hinted at in The Pelican Brief's chaste pairing of Julia Roberts and Denzel Washington. But with its…

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Review: 'Jeffrey'

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The glittering blend of disparate elements that made Paul Rudnick's Jeffrey an Off Broadway gem several seasons back doesn't throw off quite the same sparkle on the bigscreen. Onstage, the story of a…

Marketplace

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Review: 'S.F.W.'

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A satirical spin through America's oft-reported fascination with celebrities, no matter how empty or facile, S.F.W. tries hard to juice up a subject that feels done to death.

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Review: 'Innocent Lies'

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Style almost triumphs over content in Innocent Lies, an arty whodunit-cum-thriller that completely unravels in the third act but has a kind of anything-goes bravura that has to be admired. File this…

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Review: 'The Net'

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Riddled with more coincidences and implausibilities than Hitchcock permitted himself in his entire career, The Net still gets by as a reasonably suspenseful, very au courant thriller. Irwin Winkler's…

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Review: 'The Addiction'

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Vampires go for their PhDs in The Addiction, a horror show that's heady in both senses of the word. Abel Ferrara's maverick entry in the never-dead genre is dramatically surprising, stylishly made in…

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Review: 'La Haine'

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A layered conundrum that builds to a stunning crescendo, Mathieu Kassovitz's Hate is an extremely intelligent take on an idiotic reality: the mutual mistrust, contempt and hatred between the police…

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