Film

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Zaentz addresses filmmakers

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"The question is why does Hollywood go on making the crap they pass off as movies?" So asked the Academy Award-winning producer of "The English Patient," Saul Zaentz, drawing applause and cheers in…

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Oz docus safe for now

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Australia's prize-winning, but coin-challenged, documentary producers received an unexpected last-minute reprieve in a keynote address Saturday to the Screen Producers of Australia Assn. confab by…

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Review: ‘Fireworks’

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The golden boy of Italian commercial cinema, Leonardo Pieraccioni, appears to have conceived his third feature, "Fireworks," in a rush to capitalize on the phenomenal success of last year's "The…

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Review: ‘Our Boy’

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British helmer David Evans ("Fever Pitch") provides a wrenching and unrelenting look at how a working-class husband and wife deal with the accidental death of their only son in "Our Boy." An…

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Review: ‘Upstate’

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Writer-director Steven O'Connor's first feature, "Upstate," is a well-intentioned attempt to explore the shadowy secrets that haunt one family, but there is a disconcerting absence of dramatic force…

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Review: ‘Other Men’

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Independent Italian producer Claudio Bonivento, who was instrumental in putting directors Marco Risi and Ricky Tognazzi and actor Claudio Amendola on the map with such films as "Forever Mery,"…

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B.O. ‘Resurrection’

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Overseas exhibs' ebullient mood last week was typified in France, where business has been boffo for three consecutive weeks; ticket sales in Paris topped 1 million in each frame --- the most…

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