Film

  • Film

Review: 'Charisma'

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Prolific, always interesting Japanese helmer Kiyoshi Kurosawa comes up with another mind-bender in "Charisma," a realistic allegory on his favorite subject -- human behavior out of joint with natural…

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Review: 'The White Suit'

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Lazar Ristovski, the Yugoslav actor best known to Western audiences for his perf as Blacky in Emir Kusturica's Palme d'Or-winning "Underground," makes his feature directing debut with "The White…

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Review: 'Hometown Blue'

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A provincial meter maid's latent dissatisfaction surfaces after a successful high school classmate returns briefly to town in "Hometown Blue." Sweetly observed and nicely paced, bittersweet comedy…

Marketplace

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Review: 'Bootleg Film'

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There's an arrogant cynicism to "Bootleg Film" that might have been provocative if delivered through a stronger story, but writer-helmer Masahiro Kobayashi's second feature comes off as an empty…

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Review: 'Harem Suare'

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An ornately styled tale that cries out for lucid simplicity, "Harem Suare" tells of an odalisque and a eunuch, drawn together by love and the desire for power in a Turkish harem in the early 1900s…

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Review: 'Beautiful People'

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A collection of one-dimensional comic cut-outs posing as a politically right-on cross-cultural movie, "Beautiful People" is a wannabe comedy in which British and Bosnian stereotypes come face to face…

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Review: 'The Passengers'

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"The Passengers" follows the professional and love lives of a cross-section of individuals who ride the tramway serving the northern suburbs of Paris. With humor, incongruity and healthy anger as his…

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