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Woolly bully at B.O.

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Auds were hot for 20th Century Fox's "Ice Age," as the CGI-toon laffer topped weekend box office with an estimated $47.9 million bow -- March's best ever. Sony Screen Gems' vidgame-adaptation…

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Review: ‘Alive’

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A young woman's reaction to being gang-raped gets incongruously glossy treatment in Sandrine Ray's Gallic debut feature "Alive." Not exactly exploitative, pic is nonetheless so glib and glam it seems…

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Review: ‘The Trespasser’

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A potentially gripping sociopolitical thriller is undercut and eventually overwhelmed by empty stylistic flourishes in "The Trespasser," Brazilian helmer Beto Brant's disappointing follow-up to his…

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Review: ‘Teknolust’

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Unlike her fine work in last year's Sundance entry "The Deep End," Tilda Swinton is on automatic pilot and in "icon" rather than "actress" mode in "Teknolust," her second teaming with writer-director…

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Review: ‘Baader’

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It's perhaps fitting that "Baader," Christopher Roth's sure-to-be-controversial biopic about '70s West German celebrity terrorist Andreas Baader and his rise from small-time car thief to leader of…

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Review: ‘Hart’

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A lightweight, Tuscan-set comedy about three women expecting babies, "Hart" slides between being pleasantly fresh and simply naif, like the title's childish misspelling of "heart." Debuting…

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Review: ‘Julietta’

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Not even Leos Carax's "Pola X" was as loose an adaptation of a literary source as "Julietta," which spins Heinrich von Kleist's novella "The Marquise of O" into the trance-dance age as three…

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