Film

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Review: ‘Teknolust’

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Unlike her fine work in last year's Sundance entry "The Deep End," Tilda Swinton is on automatic pilot and in "icon" rather than "actress" mode in "Teknolust," her second teaming with writer-director…

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Review: ‘Baader’

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It's perhaps fitting that "Baader," Christopher Roth's sure-to-be-controversial biopic about '70s West German celebrity terrorist Andreas Baader and his rise from small-time car thief to leader of…

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Review: ‘Hart’

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A lightweight, Tuscan-set comedy about three women expecting babies, "Hart" slides between being pleasantly fresh and simply naif, like the title's childish misspelling of "heart." Debuting…

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Review: ‘Julietta’

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Not even Leos Carax's "Pola X" was as loose an adaptation of a literary source as "Julietta," which spins Heinrich von Kleist's novella "The Marquise of O" into the trance-dance age as three…

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Review: ‘Nowhere’

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Noted Chilean writer Luis Sepulveda makes a forgettable directing bow in this Latin co-prod, set in an unidentified South American dictatorship in the 1980s. Though strong on extolling solidarity and…

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