Production

CGI gets unreal

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Not many years ago, any CG-animated film would have been cutting-edge simply because it was CG. And since the resources to make such films generally lay with big companies, such industry leaders as…

Paul Crowder: Editor

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Who says you can't take it with you? Don't tell award-winning editor-director Paul Crowder that. Crowder, who cut Stacy Peralta's skateboarding doc "Dogtown and Z-Boys" and won an ACE Eddie for…

Marketplace

Ready to recruit

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The pendulum, it seems, has swung back. After weathering several lean years, when the double whammy of a soft economy and a Down Under talent drain took its toll, Hollywood's effects houses are up…

Aping Mother Nature

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Having perfected the right look for skin in the last tentpole he worked on, Joe Letteri is now concentrating on hair. No makeup artist, Letteri is a visual-effects supervisor for Weta Digital -- and…

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