The Mouse House has cleared one hurdle in the U.K.: Theater circuit Cineworld announced Thursday it will carry Tim Burton's 3D tentpole "Alice in Wonderland."
Warner Bros. has been sued by Threshold Entertainment for alleged breach of contract.
Former News Corp. honcho Gary Ginsburg is poised to relocate to Time Warner in a senior exec role.
Verizon will be the first affiliate to carry the HBO Go platform, the pay cabler has announced.
As the main characters of "Precious" and "The Hurt Locker" navigate the very different dangers that threaten their lives, the editors of both films sought to bring the audience along for the…
This year's Oscar visual effects race is like something out of Mad magazine: if not "Spy vs. Spy," certainly Aliens vs. Aliens vs. Aliens.
"Inglourious Basterds" editor Sally Menke has a hard time explaining the "rhythm" she's developed with Quentin Tarantino. "It's just there," she states simply.
"Avatar" and "District 9," both in the editing Oscar race, feature similar themes, but James Cameron's dreamlike epic stands in sharp contrast to the neorealistic, gritty vibe of Neill Blomkamp's…
Every breath "Up's" Carl and Ellie take, every move "Avatar's" Jake and Neytiri make, depends upon the animators, riggers and modelers who bend bits and bytes into believable emotional performances.
Blighty's latest video-on-demand service, SeeSaw, bowed Wednesday -- stealing a march on U.S. VOD operator Hulu, which has long contemplated a U.K. launch.
The audio pros on a movie pursue three sometimes divergent goals: help propel the story, develop a character and convey emotion. Variety asked this year's nominated mixers and editors to describe a…
2016-2017 Oscar Predictions