This summer offers f/x-heavy pics as diverse as any year ever, some of them offering new take on familiar and established franchises.
Visual effects masters are called "magicians" for a reason: They really do seem like conjurers. The only limits on what they can put on the screen seem to be time, budget and imagination.
Several of this year's summer blockbusters have strong ties — either direct origins or strong inspirations — to some classic vfx titles that have become touchstones for this generation's vfx…
Thanks to the allure of such Hollywood stars as Brad Pitt, who is the channel's May star of the month, MBC2 has the fourth-biggest Facebook following in the MENA region, the first when it comes to…
Telepool, one of Europe's leading licensing companies, is celebrating its 50th anniversary this year but as the group looks toward the future it is embracing opportunities in international film and…
New Yorkers are a proud bunch. It can take sophisticated survival skills to live in the city. Even more so to do business there.
Fast-multiplying streaming services are beautiful music to fans' ears — but can produce earaches for some in the larger music industry.
Rep. Francis Underwood is on quite the worldwide whirlwind tour.
As TV types head to Mip this spring, they're finding that traditional formats are returning with a twist — and that twist usually consists of interactivity or social media.
Licensing theatrical movies to TV goes back more than a half century, but it's suddenly a hotbed of change requiring strategic thinking.
Agnes Nixon's socially relevant serials "All My Children" and "One Life to Live" were groundbreaking in content when they debuted on ABC over 40 years ago.