It wasn't much of a stretch for visual effects supervisor Tim Alexander to move from an animated film (Paramount's Oscar-winning "Rango") to Disney's bigscreen adaptation of "The Lone Ranger."
With Disney/Marvel's Iron Man clanking to a cool billion worldwide and Paramount's Star Trek Into Darkness on a similar course, one thing has been notably absent: Complaints about 3D conversion.
Neill Blomkamp's eagerly awaited Elysium looks to be the sort of sci-fi story that falls right in the helmer's wheelhouse. A man takes a dangerous mission that might save millions in a dystopian…
In the digital, fix-it-in-post age, it's easy to assume that the fantastical images that appear on screens are all created with computer generated imagery.
This summer offers f/x-heavy pics as diverse as any year ever, some of them offering new take on familiar and established franchises.
Visual effects masters are called "magicians" for a reason: They really do seem like conjurers. The only limits on what they can put on the screen seem to be time, budget and imagination.
Several of this year's summer blockbusters have strong ties — either direct origins or strong inspirations — to some classic vfx titles that have become touchstones for this generation's vfx…
Thanks to the allure of such Hollywood stars as Brad Pitt, who is the channel's May star of the month, MBC2 has the fourth-biggest Facebook following in the MENA region, the first when it comes to…
Telepool, one of Europe's leading licensing companies, is celebrating its 50th anniversary this year but as the group looks toward the future it is embracing opportunities in international film and…