All is not as it seems in Shahram Mokri's highly original second feature, filmed in one long, bravura shot.
Venice Film Festival
Kazakh writer-director Seric Aprymov's drama feels like a gentler-tempered, less sophisticated sibling of the recent "Harmony Lessons."
A surfeit of forced lyricism undermines the natural poignancy of Rick Ostermann's drama about German orphans wandering East Prussia after WWII.
Edgar Reitz continues his visionary sweep through history with this black-and-white prequel to his "Heimat" juggernaut.
Saudi Arabia has selected Haifaa Al Mansour's “Wadjda,” the first Saudi Arabian feature shot entirely within the kingdom and, also notably, one directed by a woman, as its entry for foreign language…
There are endurance tests, and then there is Wang Bing's nearly four-hour plunge into the daily tedium and long-term despair of life in a mainland Chinese mental hospital.
Abdellah Taia botches his adaptation of his own excellent novel, translated here with a distancing coldness not helped by emotionless perfs.
Kitty Green's fascinating documentary offers a nuanced, thoughtful portrait of the Ukrainian feminist group Femen.
Robin Campillo's fascinating sophomore feature is by turns a frightening home-invasion drama, a tender love story and a tense hide-and-seek thriller.
Andrzej Wajda's stirring biopic of Polish Solidarity leader Lech Walesa is old-fashioned in the best sense.
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