Helmer Susan Froemke excels at delineating process, a quality that distinguishes "Wagner's Dream."
Tribeca Film Festival
One could accuse Argentinian director Daniel Burman's latest comedy of being forced and artificial, but the concept of "All In" willfully incorporates these effects.
Women and India are the ostensible subjects of "The World Before Her," but Nisha Pahuja's docu hangs a big, fat question mark over the future of humankind itself.
A delightful surprise at the Tribeca Film Festival, partly because the film so little resembles its description, Stephen Maing's "High Tech, Low Life" ostensibly examines censorship of the Internet…
Overly one-note in its singular p.o.v., the pic nevertheless offers a welcome variation on the conquering frat boy or Ferris Bueller-type adolescent, and could graduate from fest to arthouse play.
Michael Sladek's "BAM150" is a celebration of/advertisement for the Brooklyn Academy of Music on the occasion of its sesquicentennial, but runs out of storyline long before it runs out of footage.
Intermittently appealing but overly familiar, reality TV-style docu "Fame High" follows a quartet of talented students at the Los Angeles County High School for the Arts.
"Ballroom Dancer" follows onetime World Latin Dance champion Slavik Kryklyvyy as he tries to recapture his former glory.
"Glee" thesp Chris Colfer plays another precociously creative and snark-slinging high schooler in "Struck by Lightning," a mediocre coming-of-age indie.
A touching cameo turn by Tippi Hedren is the sole benefit of "Free Samples," a pathetically inept comedy-drama about a hungover law-school dropout's humiliating stint in a Los Angeles ice-cream truck.
The film does all it can to maintain an objective perspective on the Texas textbook battle, but always stays one unsteady step away from hysteria.