Broad Green Pictures has hired Veena Sud (“The Killing”) to write the studio’s remake of the German family thriller “We Monsters.” The film, directed by Sebastian Ko, had its North American premiere…
Toronto Film Festival
The elliptical narrative and political intrigue will appeal to those well-versed in Argentine history as well as to arthouse audiences of the sort that flock to Alexander Sokurov's films, to which…
Magnolia Picture has acquired U.S. rights to “High-Rise,” a darkly comic look at social castes that had its world premiere at this year’s Toronto Film Festival. It plans to release the picture in…
An ironically titled, coolly damning portrait of French NGO workers embroiled in the overseas adoption trade.
Magnolia Pictures has acquired U.S. rights to psychological thriller “The Ones Below.” The story of a suburban couple’s standoff with new tenants in the apartment below them marks the feature film…
Composed of black-and-white images shot by eight cameramen in St. Petersburg in 1991, "The Event" vividly captures the shift from bewilderment to empowerment as the people became ever emboldened in…
The sins of the past force a painful reckoning in the present in "Magallanes," a quietly gripping Peruvian thriller about old political wounds and the elusive quest for redemption.
Forthright but dignified, British doc "The Hard Stop" grapples sincerely with the cultural context of a wave of riots that broke out across England in the summer of 2011, in the wake of the fatal…
Things take a dive in the second half of "Angry Indian Goddesses" when the enjoyable femme-centric stereotype bashing gets overwhelmed by too many of-the-moment subthemes.
The third in a trilogy about Kazakh identity after "Kelin" and "The Old Man," "Stranger" offers characters that are more emblematic than flesh and blood, which makes it difficult to take a rooting…
Montreal-based filmmaker Anne Emond's sophomore effort is a sensitive and arresting drama about family ties and unwanted legacies.