Is there still a Latin American word for crisis?
The Silent House
The increase in polished, low-budget films has never more apparent than at the 43rd Sitges Festival, which could have invented an extra prize this year for micro-budget productions.
Only marginally boosted by an aesthetic that never cuts the camera.
The 42nd Directors' Fortnight unveiled a lineup packed with European and Latin American newcomers, with nearly half the films in its main program competing for the festival's Camera d'Or prize for…
A hilarious and harrowing exercise in marriage prevention.
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