In today's hyper-caffeinated age, precious little lives up to its hype. But the “Breaking Bad” finale — perhaps appropriately — got the chemistry just right. From the first frame to the last on a…
The Music Never Stopped Rights
Blair Underwood is an attractive, charismatic actor, but all that charm will be put to the test and then some by "Ironside," another vintage revival that bears virtually no resemblance to the source.
About halfway through this year's Emmy Awards, it became clear that the producers were sort of irritated they had to interrupt their variety show with, you know, awards. And that seemed to color the…
Domestic Film WEEKEND OF
PROVIDED BY: Box Office
The Maze Runner
The Maze Runner1Weekend:$32.5M
A Walk Among the Tombstones
A Walk Among the Tombstones2Weekend:$13.1M
This Is Where I Leave You
This Is Where I Leave You3Weekend:$11.9M
Utterly routine futuristic horror-thriller "The Colony" substitutes the term "ferals" for plain old zombies (the modern, fast-moving kind), and that's about it for originality.
That “Glee” star Cory Monteith will be among an exclusive group of actors getting a special memorial tribute at the Primetime Emmy Awards on Sunday was to be expected given the industry and its fans…
Formula One adversaries James Hunt and Niki Lauda's larger-than-life bout for the 1976 world championship title fuels Ron Howard's exhilarating "Rush" -- not just one of the great racing movies of…
When it was revealed two years ago that the Coen brothers' next project would revolve around the Greenwich Village folk scene of the early '60s, the first thought that came to mind was "who's going…
This is a guest column from Chad Gutstein, chief operating officer at Ovation, a cable channel devoted to arts and entertainment. Television is a public good. We forget that sometimes, but it's true…
The Human Rights Campaign has called on Hollywood studios to use the high profile platform of film premieres to take a stand against Russia's anti-gay propaganda laws. In a letter to the major studio…
Lindsay Lohan brings a raw conviction to Paul Schrader's ultra-low-budget but handsomely made study of hungry young things clawing at the good life.