A SAG-AFTRA study has found that, even as opportunities and conditions improve, discrimination persists against lesbian, gay, bisexual and transgender actors. The survey, based on responses from over…
HONG KONG - "Soongava - Dance of the Orchids," a lesbian romance, has been selected to represent Nepal in the foreign-language Academy Award race. The film's selection was unveiled Sunday by…
Sundance Selects will release “Blue Is the Warmest Color,” the lesbian love story which won the Cannes Palme D'Or, with the MPAA rating of NC-17 in the United States rather than trim the film or…
Domestic Film DAILY
PROVIDED BY: Box Office
No Good Deed
No Good Deed1Daily:$1.0M Cumulative:$29.9M Sony / Screen Gems -11.16%
Guardians of the Galaxy
Guardians of the Galaxy2Daily:$557,622 Cumulative:$308.5M Disney -4.92%
Dolphin Tale 2
Dolphin Tale 23Daily:$459,663 Cumulative:$18.1M Warner Brothers -9.19%
Sacha Baron Cohen has ankled GK Films' untitled Freddie Mercury biopic over "creative differences," his manager confirmed to Variety.
A lipstick-lesbian riff on “Strangers on a Train,” “Breaking the Girls” is a watchable but somewhat routinely pulpy mix of sex, blackmail and murder, a polished low-budgeter that doesn't rise above…
CANNES — Confirming its status as one of the major revelations of year's Cannes Festival, Abdellatif Kechiche's "Blue is the Warmest Color" took the nod Saturday from the Fipresci Intl. Federation…
A searingly intimate character study marked by the most explosively graphic lesbian sex scenes in recent memory.
After seeing success from their cult comedy hit "Klown," Danish scribes Casper Christensen and Frank Hvam are in negotiations to pen Paramount's "The Lesbian" starring Sacha Baron Cohen. Story is…
Sacha Baron Cohen will develop "The Lesbian" for Paramount Pictures, a story inspired by Cecil Chao, the Hong Kong billionaire who offered $65 million to any man who succeeded in marrying his lesbian…
The tensions between the spiritual and the secular, groups and individuals, are examined in intelligent, creepily insinuating but not entirely satisfying fashion in Cristian Mungiu's latest work.