For the stars of Relativity's latest big screen adaptation of William Shakespeare's "Romeo and Juliet," the trick to tackling an iconic literary figure is not regarding him/her as such. Star-crossed…
The Booth At The End
Los Angeles' new mayor has vowed to help staunch the flow of film and TV production jobs out of Hollywood, starting with the appointment of a film czar at City Hall.
It may star Paul Walker, but this mostly preposterous high-concept clunker is neither fast nor furious.
"I'll Eat You Last," the Broadway play toplined by Bette Midler, has become one of the first of the spring's shows to make it into the black, according to producers, with the show recouping its $2.4…
The Broadway transfer of “The Glass Menagerie,” toplined by Cherry Jones and Zachary Quinto, has snagged the Booth Theater for its upcoming Gotham run, beginning previews at the venue Sept. 5. Quinto…
Tech innovations had made the basics of 35mm projection so easy and safe that a high-schooler could handle a multiplex. But they'd also led to degraded prints.
The conversion of theaters to digital in the U.S. is almost complete, and the end of movies on film is in sight.
"Squaresville" was a good place to live Tuesday evening as the Web comedy took three prizes at the Intl. Academy of Web Television awards at the Palazzo Theater in Las Vegas.
While Peter Jackson's prequel to "The Lord of the Rings" delivers more of what made his earlier trilogy so compelling -- it doesn't offer nearly enough novelty to justify the three-film, nine-hour…
Michael Eisner's new distribution pact with Universal goes a long way toward furthering his efforts to raise a production fund.
Domestic Film DAILY
PROVIDED BY: Box Office
300: Rise of an Empire
300: Rise of an Empire1Daily:$3.1M Cumulative:$56.2M Warner Brothers -26.61%
Mr. Peabody & Sherman
Mr. Peabody & Sherman2Daily:$2.4M Cumulative:$39.6M Fox / DreamWorks Animation -15.75%
Non-Stop3Daily:$1.3M Cumulative:$56.9M Universal Pictures -21.36%