Tribeca Film, the distributor loosely affiliated with the Tribeca Film Festival, has snagged U.S. rights to Neil LaBute's “Some Velvet Morning” for a theatrical and digital release later this year…
Patience and an openness to contemplation will be essential for audiences to appreciate Godfrey Reggio's black-and-white reverie.
Virgil Films has acquired U.S. rights to horror film “Foreclosure,” starring Michael Imperioli, and plans a first-quarter release theatrically and on VOD. The deal was announced at the Toronto Film…
Domestic Film DAILY
PROVIDED BY: Box Office
Teenage Mutant Ninja Turtles
Teenage Mutant Ninja Turtles1Daily:$7.6M Cumulative:$79.8M Paramount Pictures 13.49%
Guardians of the Galaxy
Guardians of the Galaxy2Daily:$6.6M Cumulative:$188.5M Disney 23.68%
Into the Storm
Into the Storm3Daily:$2.1M Cumulative:$21.1M Warner Brothers / New Line 21.06%
The documentary "A Fuller Life," which screens here Sunday and Tuesday, includes never-seen footage that ranges from World War II-ravaged families to scenes from a long-ago Venice Film Festival. In…
Submarine Deluxe, the Gotham-based distributor whose last release was Oscar-nommed “Chasing Ice,” has picked up U.S. distribution rights to “GMO OMG,” the food-focused docu that had its world preem…
A superior celebrity docu that finds the Broadway legend contemplating retirement as well as her own mortality.
With 78 features world premiering at SXSW this year, Variety couldn't possibly get to everything. Here are quick takes from senior film critic Peter Debruge on a handful of deserving films that…
Finding the most entertaining angle on one of the world's dullest sports, "The Short Game" has built-in word-of-mouth that should help it break out of the docu sandtrap and roll down the fairway. The…
Submarine Entertainment has come on board John Maloof and Charles Siskel's "Finding Vivian Maier," a documentary about the street photographer.
Submarine Entertainment has sold all distribution rights to Daniel Young's docu "Paul Bowles: the Cage Is Always Open" to First Run Features in the U.S. and to Films We Like in Canada.