Scott Foundas, Justin Chang and Peter Debruge weigh in on the best and brightest of Park City 2014.
Sundance Film Festival
Neither an indictment nor an endorsement, Greg Whiteley's profile of Mitt Romney is a refreshing departure from the combative tone of contemporary politics.
Miles Teller wowed Sundance audiences with his performance as a virtuoso drummer in the opening night selection "Whiplash," directed by Damien Chazelle. Teller, 26, is no stranger to the fest. Last…
The spirits of 1980s genre maestros like John Carpenter, Walter Hill and William Lustig hover strongly over Jim Mickle's "Cold in July," a superior piece of Texas pulp fiction.
Radius-TWC has acquired worldwide rights to Charlie McDowell’s trippy directorial debut “The One I Love,” which premiered Jan. 21 at the Sundance Film Festival. The deal was made for around $2…
Bigger-not-better sequel "Dead Snow: Red vs. Dead" picks up where the 2009 first edition left off, not just plotwise but in taking "over the top" as a starting point.
Lots of bad stuff happens to honest Rust Belt folk in "Little Accidents," a sensitive but rather ordinary melodrama that wouldn't have seemed out of place as a network movie-of-the-week circa 1985.
As Sundance ends its first week of screenings, this year’s festival has been marked by only a handful of acquisitions so far, but another one was announced on Wednesday afternoon. Jim Mickle’s “Cold…
Some of the nicest people supply arms to tyrants and terrorists these days — or such is one conclusion one could draw from "The Notorious Mr. Bout" and its subject.
Variety film critics Justin Chang, Peter Debruge and Scott Foundas discuss their best and worst movies (so far) at the Sundance Film Festival, which include Richard Linklater’s “Boyhood” and Zach…
Given the amount of noise generated at Sundance, it’s surprising that a number of surprises this year have managed to stay … surprises. From Tuesday night’s secret screening of “Nymphomaniac: Part 1,”…
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