"Silent House" twists camera and narrative alike, but repulses more than it scares.
As the snow fell on Park City last night, the mood around town was alight with good buzz for a few titles already screened.
Is there still a Latin American word for crisis?
The increase in polished, low-budget films has never more apparent than at the 43rd Sitges Festival, which could have invented an extra prize this year for micro-budget productions.
Only marginally boosted by an aesthetic that never cuts the camera.
More “Silent House” on Variety.com
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