Yet another attempt to blend gross-out humor, bloody mayhem and monster thriller cliches into a hodge-podge sufficiently appealing to achieve cult status, "Milo" seems ready-made to serve as…
Magnet Releasing nabbed all North American distribution rights to Jacob Vaughan's gut-wrenching horror-comedy "Milo," which world-preemed to aud and critic raves March 10 in the SXSW Film Festival's…
Wes Anderson's "Moonrise Kingdom" is set to open the third American Film Festival in Wroclaw, Poland, while Ben Affleck's "Argo" will close the fest. Both films will make their Polish premieres at…
Domestic Film DAILY
PROVIDED BY: Box Office
The Equalizer1Daily:$8.2M Cumulative:$34.1M Sony / Columbia -39.59%
The Boxtrolls2Daily:$4.9M Cumulative:$17.3M Focus -34.47%
The Maze Runner
The Maze Runner3Daily:$4.3M Cumulative:$58.0M Fox -46.49%
"Leave Me Like You Found Me" barely musters enough energy to engage as it tests whether two ex-lovers can repair a breakup by camping in the Sequoia National Forest.
Straining to be a distaff "Deliverance," indie thriller "Black Rock" is unable to shock, much less convince.
David Robert Mitchell, writer-director of "Myth of the American Sleepover," has been set to direct romance drama "Ella Walks on the Beach" from his own script.
Thesps Kate Lyn Sheil and Kentucker Audley have been tapped to star in writer-helmer Amy Seimetz's road-trip indie "Sun Don't Shine."
Last year, Kathryn Bigelow changed history by becoming the first woman to win the Academy Award for directing. But at the Spirit Awards, such women-centric laurels are business as usual.
IFC Films has picked up North American and some international rights to "The Myth of the American Sleepover," David Robert Mitchell's teen tale that has played SXSW and Cannes.
More closely resembles the frat-boy hijinks of "Animal House."