In bestowing top honors on "Inside Llewyn Davis," one of the nation's oldest critics' groups maintained its indifference to the awards-season hype.
Is Your Computer a ‘Him’ or ‘Her’? — and Other Questions Raised by Spike Jonze’s Speculative Romance
Not enough has been said about the title of Spike Jonze's "Her" — not its e.e.-cutesy tendency not to capitalize, but rather, the choice of a female pronoun to describe the object of Joaquin…
How has "Hustle" conned so many intelligent people into declaring it a masterpiece? This is a messy C-minus movie at best. And yet, its reception demonstrates a scandalous emerging trend among…
In a year with no shortage of critical favorites, the Los Angeles Film Critics Assn. opted to share the wealth.
"Frozen," a musical about two princesses? You wouldn't know it from the Mouse House's advertising strategy, aimed at concealing everything remarkable about Disney's splendid new animated feature.
From subtle racial commentary to overt reality-TV satire, "The Hunger Games" franchise was clearly made for the bigscreen, as the new 'Catching Fire' shows.
"Blue Is the Warmest Color" is a lesbian love story directed by a straight man, and it shows.
Richard Curtis' latest film doesn't achieve the romantic bliss-out of "Somewhere in Time," "The Lake House" or "The Time Traveler's Wife," but it'll do.
REARVIEW: Rejected by critics and audiences, this bold, thrilling noir shows just how little appetite there is for real daring at the multiplex nowadays.
Steve McQueen's hard-hitting slavery drama represents his boldest and thorniest essay yet on the uses and abuses of religion.
With all due respect to Johnny Depp and Errol Flynn, piracy is a lot more complicated than Hollywood makes it look.