A welcome throwback to an earlier, more generously entertaining era of summer blockbusters, grounded in an immensely appealing star turn by Channing Tatum.
DIRECTOR Ang Lee, “Life of Pi” While he neglected to single out his Oscar-winning visual effects team in his acceptance speech, Lee shared sentiments for the crew and the craft backstage. “I think it…
This time, the "Argo" story in Variety is truly about a big picture. Connecting three decades of history while erasing a quarter-century of Oscar protocol, Ben Affleck's "Argo" survived — and indeed…
From tigers to aged saddles, authenticity was nominees' goal
‘Lincoln’ tops Oscar noms with 12 | The nominations | The scorecard | Reactions to the nominations | Music brings contrasts, global view MOTION PICTURE OF THE YEAR:“Amour” – Nominees to be…
Pic rivets for most of its running time by focusing on how one female CIA agent with a far-out hunch was instrumental in bringing down America's most wanted fugitive.
Perhaps the best that can be said for the years-in-the-works "Men in Black 3" is that its prolonged, difficult development rarely leaves visible scars on the finished product.
In one week, Bob Murawski went from being an Oscar winner to obscurity.
"The Hurt Locker," a film combining quiet moments with intense sound, won laurels for sound mixing in motion pictures at the Cinema Audio Society's annual kudos on Saturday night.
What does war sound like? Since the advent of talkies, hundreds of movies have tried to answer that question.
Roland Emmerich's past pics were mere appetizers for this smorgasbord of global annihilation.