Park City At Midnight
Congratulations are most definitely not in order.
Practically parodying a slumming B-lister's phone-it-in, cash-the-check indie perf, Dermot Mulroney is good for a giggle -- just one -- in "The Rambler," writer-director Calvin Lee Reeder's randomly…
Meticulously acted, gorgeously shot and hilariously insightful about the strange, inarticulable ways people can get on one another's nerves, this psychological thriller takes its premise to…
Effectively unsettling for as long as auds don't know what's going on -- in part because the actors didn't, either -- Jeremy Lovering's tense debut might have worked better had it left more to the…
This painfully unfunny vehicle for writer-stars June Diane Raphael and Casey Wilson is, depressingly, a comedy built on the amusement value of stupid people that is itself too stupid to be funny.
Director Christina Voros is here to educate rather than titillate, aiming to remove the unsavory stigma from an unusual leisure activity.
Sundance acquisitions took off Monday as weekend deals started to close.
Generally a recommended practice in good parenting guides, family mealtimes around the table get a bad rap in the exuberantly grisly "We Are What We Are," the third and most polished feature to date…
"Beasts of the Southern Wild" and "The House I Live In" have won the grand jury prizes for American films at the Sundance Film Festival.
Domestic Film WEEKEND OF
PROVIDED BY: Box Office
300: Rise of an Empire
300: Rise of an Empire1Weekend:$45.1M
Mr. Peabody & Sherman
Mr. Peabody & Sherman2Weekend:$32.5M
Non-Stop3Weekend:$15.4M Universal Pictures