Chuck Workman takes the old-school view of Welles as a maverick too daring for Hollywood's comfort, with no consideration of the theory that he may often have been his own worst enemy -- too…
Although the idea isn't new -- it's essentially another "Blair Witch Project" knockoff -- "American Blackout" seems especially well timed, and perfectly tailored to the semi-hysterical nature of the…
Early gems from Sweden, Ukraine and Berlin bolstered a rich 32nd edition for the world's most important silent-cinema festival.
Orson Welles' long-lost 1938 film “Too Much Johnson” was recently discovered in an Italian warehouse and has now been restored, according to the George Eastman House and other preservation orgs. The…
Sony Pictures Classics has acquired North American rights to Frank Pavich's documentary "Jodorowsky's Dune," two months after the film played at the Directors Fortnight section at Cannes.
Seventy-one years after Orson Welles' landmark "Citizen Kane" was released, it's finally been screened at Hearst Castle -- home to William Randolph Hearst, the movie's real-life Charles Foster Kane.
"Me and Orson Welles" is an agreeable, reasonably convincing imagining of the circumstances surrounding Welles' legendary staging of "Julius Caesar."
Touch of Evil smacks of brilliance but ultimately flounders in it. Taken scene by scene, there is much to be said for this filmization of Whit Masterson's novel, Badge of Evil. Orson Welles' script…
"The Lady from Shanghai" is okay boxoffice. It's exploitable and has Rita Hayworth's name for the marquees. Entertainment value suffered from the striving for effect that features Orson Welles'…
Welles' idea of Shakespeare is such a personalized version. Production was comparatively inexpensive # and looks it. Mood is as dour as the Scottish moors and crags that background the plot. Film is…