After spending the last few weeks trying to decide on what the cost of DreamWorks' “The Trial of the Chicago 7″ would be, the production company and director Paul Greengrass have decided to part ways…
Not On Budget
This sporadically amusing but unduly protracted dramedy devolves into a shameless tearjerker in its third act.
"Rush," the high-octane car racing film about the public rivalry between legendary Formula One drivers Niki Lauda and James Hunt during the 1970s, has all the markings of Tinseltown's latest flashy…
Domestic Film DAILY
PROVIDED BY: Box Office
The Equalizer1Daily:$3.0M Cumulative:$37.1M Sony / Columbia -63.56%
The Maze Runner
The Maze Runner2Daily:$968,406 Cumulative:$58.9M Fox -77.28%
The Boxtrolls3Daily:$733,441 Cumulative:$18.0M Focus -84.99%
With just three weeks until summer moviegoing peters out after Labor Day weekend, observers already are calling summer 2013 the best ever at the domestic box office. But studios racked up plenty of…
Johnny Depp and producer Jerry Bruckheimer have spoken out for the first time since mega-budget Western “The Lone Ranger” crumbled at the global box office, blaming U.S. critics for one of the…
Dire predictions swirled around this year's slate of pricey pics. Now, after a number of colossal flops, Hollywood is left to wonder if its swing-for-the-fences paradigm has struck out.
Note to Universal: When it comes to ghosts, it would appear audiences prefer the fact-based kind vs. silly spirits being chased by Ryan Reynolds and the Dude. Universal's $130 million disaster…
With Roland Emmerich opening his latest film, “White House Down,” this weekend, the director shines a timely spotlight on Warner Bros.' big-budget original-concept gamble, “Pacific Rim,” opening July…
The latest in a string of audience-of-none, end-is-nigh indie dramedies, “Rapture-Palooza” strains to find comedy in the book of Revelation, tracking a contempo young couple besieged by CG locusts…
One big question on the minds of IM Global's Stuart Ford, Participant Media's Jim Berk and others: Can the emerging markets handle larger-budget films?