After a rough summer at the box office, Sony is poised for a little relief, with toon sequel “Cloudy With a Chance of Meatballs 2″ tracking to outdo its 2009 predecessor in the $30 million-$40…
Oscar-winning director? Check. Rising Hollywood star? Check. Plenty of studio marketing muscle? Excellent early reviews? Check, check. Ron Howard's Formula One racing movie “Rush” certainly has the…
There are stars and then there are stars. The post-premiere party for Ron Howard's “Rush” at the Thompson Hotel featured star Chris Hemsworth and the other impossibly good-looking lead actors, all…
Domestic Film DAILY
PROVIDED BY: Box Office
No Good Deed
No Good Deed1Daily:$1.2M Cumulative:$28.9M Sony / Screen Gems -35.29%
Guardians of the Galaxy
Guardians of the Galaxy2Daily:$586,451 Cumulative:$307.9M Disney -24.71%
Dolphin Tale 2
Dolphin Tale 23Daily:$506,166 Cumulative:$17.6M Warner Brothers -28.02%
Chris Hemsworth and Olivia Wilde drove into the Variety Studio on Saturday to discuss their Formula One pic “Rush,” which premieres Sunday night at the Toronto Film Festival. “I likened it to Magic…
Formula One adversaries James Hunt and Niki Lauda's larger-than-life bout for the 1976 world championship title fuels Ron Howard's exhilarating "Rush" -- not just one of the great racing movies of…
Excitement soared as engines roared outside Leicester Square's Odeon on Monday night. The night's grand prix? A seat at Studiocanal's world bow of "Rush."
Gravitas Ventures has acquired North American rights to Laurie Collyer's indie drama “Sunlight Jr.,” starring Naomi Watts, Norman Reedus and Matt Dillon. Gravitas will partner with Samuel Goldwyn…
"Rush," the high-octane car racing film about the public rivalry between legendary Formula One drivers Niki Lauda and James Hunt during the 1970s, has all the markings of Tinseltown's latest flashy…
Although not for everyone, this surprising prose poem on the randomness of life itself should earn fest interest and deserved cult status.
A defiantly unclassifiable cross-genre experiment that simultaneously reinvents and regurgitates low-budget British cinema as it goes.